Her Majesty’s musical
Posted 14 February, 2021
Ellen Morgan

The Wedding Singer will play in Adelaide from 9–24 April – the first city in Australia the Broadway production will visit. We chat to Producer David Venn ahead of the season.
samotor: Tell us about The Wedding Singer.
David: It’s a fun-filled musical based on the hit film starring Adam Sandler and Drew Barrymore. The show was originally created for Broadway in 2006 and has since done a UK tour as well. Adelaide will be the first leg of the Australian tour.
We’re calling it a celebration of the ’80s – it’s a nostalgia trip to when hair was big and people had their shoulder pads out and were walking around with leg warmers on. It’s a light-hearted comedy.
samotor: What can audiences expect?
David: For those who do know the film, there are key scenes and moments they’ll know word for word because the show has taken a lot of lines and funny gaffs straight from the film. The show also features a couple of songs from the film as well as an original score that’s inspired by the sounds of the ’80s… lots of synth, electric guitar and base.
It seems like [it’s] what people need at the moment. Even if you haven’t seen the film, it’s an opportunity to come out with friends, have an easy laugh and connect once again.

Expect lots of synth, electric guitar and base. Image: Getty
samotor: How long does it take to produce a show like this?
David: We’re usually working a few years out, so for this project it’s been 2 years in development – everything from securing the rights through to locking in touring dates, marketing plans and then getting all the people lined up and all the logistics surrounding it.
samotor: How does it feel to be showing the first musical at the revamped Her Majesty’s Theatre?
David: It’s fantastic to hold it at Her Majesty’s and have facilities with state-of-the-art technology and capacity for 1500 [audience members]. There are already great venues here [in Adelaide], and Her Majesty’s provides even more opportunity to bring large productions to Adelaide.
It also looks beautiful. [Keeping the heritage façade] is what gives it the charm. There’s always something so special about being in a space where there’s a whole bunch of history before you.

Her Majesty’s revamped interior. Image: Chris Oaten
samotor: What do you love about musicals?
David: I think it’s the way that a musical can sweep you up not just with the story but with every element from music through to dancing – it just takes the everyday to a new level. I think it’s an awesome way for stories to be told.
samotor: How did you get into musical theatre?
David: I have always been a fan of musicals growing up. I worked for a different entertainment company before I started my own company 2 years ago as a producer [David Venn Enterprises].
The objective is to employ Australian artists and create opportunities for directors and choreographers.

Her Majesty’s from the outside. Image: Chris Oaten
A lot of shows [that come to Australia] are already developed so there’s not a lot of creative input. We’re trying to find new ways for local talent to bring their creative ideas to life.
This show is a fresh Australian take on a popular musical – we have a local director, choreographer and musical director. This is vital at the moment considering how long creatives have been unemployed in the country [because of COVID-19]. I’m so grateful to be in a position to help create the magic for other people now.
samotor: What have been some of your favourite projects to work on?
David: We did
Bring It On: The Musical before this, which went to a few cities around the country – that was a lot of fun, with cheerleading and acrobatics.

Bring It On: The Musical. Image: Nico Keenan
samotor: What is your favourite part of working in musical theatre?
David: I think one of the most exciting parts is when the show first opens – the celebration of a big lead up of work and a huge team of people who have come together to achieve something. There’s a great feeling of excitement that comes with that.
samotor: What are your thoughts about Adelaide’s festival scene?
David: This is the first show I’ve actually toured in Adelaide and the city has a great reputation, especially the Adelaide Festival Centre itself – everyone has been so helpful and supportive about getting new shows in that would usually stay on the east coast. It’ll be great to be there!

The new Dress Circle Foyer and Bar at Her Majesty’s. Image: Her Majesty’s Theatre